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本文的理论来源主要是《1900年以来的艺术:现代、反现代、后现代》的导论部分,由4篇独立的文章组成,作者分别是哈尔·福斯特、罗瑟琳·克劳斯、伊夫·阿兰·博伊斯、本雅明·布赫罗。这4位当代西方艺术理论界极具影响力的学者,以自己的研究实践和美学理念为基础,对西方20世纪艺术理论进行了全面的梳理。另外,本文作者还参考了詹姆斯·艾尔金斯的《1970年以来的西方艺术理论概览》一文。
The theoretical sources of this article are mainly the introductory part of “Art since 1900: Modern, Anti-modern, and Post-modern”, which is composed of four independent articles by Hal Foster, Rosselin Klaus Yves Alain Boyce, Benjamin Boucher. Based on their own research practice and aesthetic ideas, these four influential scholars in the contemporary western art theory field have comprehensively sorted out western art theories in the 20th century. In addition, the author also refers to James Elkins’s “Overview of Western Art Theory since 1970”.