一部中国画史中专门以海洋为题的画家不多。细想想也是怪事,但先前似乎并无人以为奇怪,汪稼华的画海正是由这疑问开始的,且企望由此寻一条生路。 艺术有许多问题,说到底不过是画什么和怎么画。画什么和怎么画,其实最终是一个问题的两个方面:画什么与怎么画互为因果,两者缺一,艺术也就不存在了。不仅如此,两者之间还在更深的层面上存在逻辑的依存关系,其间所蕴藉的道理正是所有艺术家穷其一生苦苦追求的目标,于是就引出为什么中国画史上较少 There are not many painters specialized in the history of Chinese painting in the history of Chinese painting. Think about it is strange, but in the past it seems that no one thought it strange, Wang Jiahua’s painting is precisely the sea by this question, and hope to find a way out. There are many problems with art, after all, just what to draw and how to draw. What to draw and how to draw it is, in fact, ultimately a matter of two aspects: what to draw and how to draw each other as a cause and effect, neither of which is lacking in art. Moreover, there is a logical dependence between the two on a deeper level. The truth implied during this period is precisely what all artists are trying hard to pursue in their own lives. This leads to the fact that there is less history in Chinese painting