相信很多人面对孙印昌的油画作品一定都会慨叹不已,被他那惊人的写实技术而震服。我们会本能地将这些高度写真、纤毫毕现的写实作品圈定为超级写实主义或照相写实主义的风格范畴,这二者向来都是乐于以摄影作品为蓝本,以高度写实,极度逼真为其追求目标。但令人惊讶的是,孙印昌如此逼真的写实作品,却完全来自实物与实景的写生,这其中的区别细究起来,与上述的两种方法还是有着本质意义的不同。 I believe many people in the face of Sun Yin-Chang’s oil paintings must have lamented, by his amazing realistic technique and shock. We instinctively delineated these highly pictorial, minimalist and realistic works as super-realism or photorealistic style. Both of them are always willing to take photographic works as a blueprint, pursuing them with a high degree of realism and extreme vividness aims. Surprisingly, Sun Yinchang’s realistic photorealistic works are entirely derived from the sketches of real objects and real objects. The differences between these two kinds of methods are intrinsically different from the above two methods.