身藏于青楼中的明中期才女,大多出身社会底层,迫于生计混迹于红尘之中,造成与受封建压迫的传统女性格格不入。她们不像一般女性那样局限于相夫教子的家庭妇女模式。特别是在与受过较高教育的才子交往日繁之中,在琴、棋、书法等方面受这些文人的影响,从而达到了前所未有的高度。以才女为代表的世俗艺术文化和以文人为代表的正统封建儒家文化相互糅合,形成了别具特色的明末文化风格。本文将从几个具有代表性的才女所生活的社会环境、她们文化艺术内容造诣表现、当时文人才子思想变化、为何两者能相互交融、这种关联性对当时社会风俗的影响等方面加以分析。 Mid-Ming talented women, who were hidden in brothels, mostly came from the bottom of society and forced their livelihoods to disappear into the middle of the earth, resulting in incompatibility with traditional women oppressed by feudal oppression. Unlike the average woman, they are not limited to the housewife model, a godfather. Especially in the days of exchanges with highly educated geniuses, they are affected by these literati in the fields of piano, chess and calligraphy, reaching unprecedented heights. The secular arts and culture represented by talented women and the orthodox feudal Confucian culture represented by literati blend with each other to form a distinctive Ming and Qing cultural style. This article will be from several representative talented woman living in the social environment, their cultural and artistic content attainments, literary genius changes in thought, why they can blend with each other, the relevance of the social customs of the time and so on to be analysis.