从中世纪后期逐渐独立出来的风景画,经过几百年不间断的发展以后,已经变得不那么单纯了。自从印象派画家们将眼前的自然景象画得“比自然还自然”,使得完全要按自然原貌画风景的画家们感到“前途”无着。从此,想有作为的画家只能将自然景象作为一种参照,去丰富想象中的“风景”,借助自然之物表达自己的感情、思想和观念。当然,在已往那些被称作风景画的艺术品里,我们能够感到画家表达的关于时间和空间的各种感受,以及有关人生的哲理观念体现。但这是借助于一幅非常逼真的风景来叙述,因此人们常常因身临其境陶醉于景色之中而忽略思考。 Landscape paintings, which were gradually independent from the late Middle Ages, have become less simple after hundreds of years of uninterrupted development. Since the Impressionists painted the immediate natural landscape as “more natural than nature,” painters who completely painted the landscape according to their natural origin feel “no future.” From then on, painters who want to work can only use the natural scenery as a reference to enrich the imagined “scenery” and use natural things to express their feelings, thoughts and beliefs. Of course, in past works of art known as landscape paintings, we can feel painters’ various feelings about time and space as well as the philosophical concepts about life. But this is by means of a very realistic scenery to describe, so people are often immersed in the scene because of immersive neglected thinking.