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观众:电影艺术的审美接受者和信息反馈者 电影与观众的关系是电影观众学研究的一个重要课题。而时下最时髦的说法是“观众是上帝”和“观众是敌人”,这两种说法有一个共同点,即是都以经济效益为标准而言的,象敬拜上帝一样看待观众,是因为观众手里有那要命的几角钱;如果观众对你拍的电影“不买帐”,这电影就无法获取“经济效益”;于是乎,就把观众看成“敌人”。其实,我们的电影创作者是艺术家不是商贾,他们有着崇高的社会责任,担负着塑造观众灵魂形象的重任,在给观众输送美的同时,一定会得到社会给予的回报的。所以,我们的电影艺术家不应成为只看“经济效益”的“近视眼”也不能成为无视今天观众而给下个世纪拍片的“远视眼”,“近视眼”必陷泥潭,“远视眼”易摔跟头。那么,这是不是有意为难电影创作者呢?不是。
Audience: The Aesthetic Recipient and Information Feedback Artist of Film Art The relationship between film and audience is an important topic in the study of film audience science. The most fashionable statement nowadays is that “the audience is God” and “the audience is the enemy.” Both of these statements have one thing in common: they are all based on economic benefits, and the audience is treated in the same way as worship of God because If the viewer does not buy the movie you are filming, the movie can not get the “economic benefits”; thus, the audience is regarded as “the enemy.” Actually, our film creators are not merchants and artists. They have a high social responsibility and are entrusted with the task of shaping the image of the audience’s soul. While delivering the beauty to the audience, they will surely get rewarded by society. Therefore, our film artists should not become “myopia” which only looks at “economic benefits” nor “hyperopia” that gives a film to the next century without regard to today’s audience. “Myopia” will fall into the quagmire, “hyperopia” Fall easily fall. So, this is not intentionally hard film creator? Not.