浓眉,大眼,黑发,红唇,纤手,呈现在张婕的各种形式姿态的自画像作品中。既没有外在的宏大叙事,也没有复杂的社会场景,有的只是一个房间和顾影自怜的可人儿。平视,侧视,仰视,俯视,或闭眼,或睁眼,让人无时不感受到那双人见尤怜的双眼,即使是在微闭的眼皮下面,似乎也能感受到魅人的神韵。女人体一直就是绘画中一个绝佳的表现题材, Thick eyebrows, big eyes, dark hair, red lips, hand, presented in Zhang Jie’s various forms of self-portrait works. There is neither an external grand narrative nor a complicated social scene, but rather a room and a coddled child. Head-up, side-looking, looking up, looking down, or eyes closed, or eyes open, people always feel that the two people especially see the eyes of the poor, even in the micro-closed under the eyelids, it seems that you can feel the charm of charm . The female body has always been an outstanding performance theme in the painting,