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从美学和戏剧理论角度分析和评价郭沫若的历史剧创作及其理论的得失，可见其史实的艺术是虚构化在戏剧理论方面的审美规律中进行的，这审美的规律就是叙事剧技法和叙事要素的理论作用。叙事剧的技法是以“古为今用”的创作态度来发挥一定的作用，而叙事诗的美学因素就是在历史人物的形象化方面起到一定的艺术效果。
From the angle of aesthetics and drama theory, it analyzes and evaluates the success and failure of Guo Moruo’s historical play creation and theory, showing that the art of its historical reality is fictionalized in the aesthetic law of drama theory, which is the aesthetic law of narrative drama technique and narrative element Theoretical role. The technique of narrative play plays a certain role based on the creative attitude of “ancient to modern”, and the aesthetic factor of narrative poetry is to play a certain artistic effect in the visualization of historical figures.