“僮子戏”是源于僮子祭祀仪式、广泛流行于中国江苏省南通及周边地区的一种地方戏曲。结合祭祀仪式来分析、探究其中所含的戏曲音乐因素及其从仪式中脱胎独立为戏曲的过程和原因,将有助于更准确地了解“僮子戏”历史来源及特色,也可能为中国戏曲音乐形成发展史的研究提供一些新的材料和观念。 “Boy child play” is a local opera originated from the boy sacrificial ritual, widely popular in Nantong, Jiangsu Province, China and the surrounding areas. Combining sacrificial rituals to analyze and explore the elements of the opera music contained in it and the process and reasons why it is independent from the ritual to the opera will help to understand more accurately the origin and characteristics of the history of the boy opera and may also be the theme of Chinese opera The study of the history of the formation of music provides some new materials and concepts.