“造型美或丑,看看底和口。”这句口诀是四川荣昌地区制陶艺人生产实践的经验结晶。荣昌陶器一般是卵形,腹胀底小口多姿,即要求口(头部)和底小巧玲珑,中段端庄饱满,整体曲线优美。如果口太大底太小,就会头重脚轻站不稳;口太小底太大,则又头尖尾粗不灵巧,损害了整个器物造型的美。这颇值得戏剧创作借鉴:开头干瘪,不能系起戏剧冲突的纽结,无法引人入胜;开头臃肿,铺排得过多,出不了戏,令人索然乏味。法国狄德罗就强调过:“多少剧本是因为第一幕的失败而失掉生命的!” “The beauty of the United States or ugly, take a look at the end and the mouth.” This sentence formula is the production experience of pottery artists Rongchang area in Sichuan crystallization. Rongchang pottery is generally oval, abdominal distension at the mouth of a variety of small mouth, which requires the mouth (head) and the end small, dignified and plump middle, the overall curve beautiful. If the mouth is too big, it will be top-heavy. If the mouth is too small, then the tip of the tail is not clever and it will damage the beauty of the whole object. This is worth learning from the dramatic creation: at the beginning of the deflated, can not tie up the drama of the knot, can not be fascinating; the beginning of bloated, too much arrangement, can not play the drama, it is boring. Diderot of France emphasized: “How many plays lost their life because of the failure of the first act!”