唐代的长沙窑将中国陶瓷推入了彩瓷时代,它以无比的的开开放和包容性,吸纳来自世界各地的不同文化,包括各种艺术术、、民俗、民风和审美观念等,并在此基础上突破艺术的封闭壁壁垒,广泛吸收融合域外装饰艺术的文化元素,并充分与长沙沙窑瓷艺术进行整合融通,形成独特的装饰艺术效果。受宗教文化和儒家学说等的影响,长沙窑陶瓷纹饰也 In the Tang Dynasty, the Changsha kiln pushed Chinese ceramics into the era of polycrystalline porcelain. With incomparably openness and inclusiveness, it attracted different cultures from all over the world, including various arts, folk customs, customs and aesthetic concepts, etc. On this basis, it breaks through the barrier of art in the form of closed walls and absorbs the cultural elements of the art of extraterrestrial decoration extensively, and fully integrates with Changsha Sha porcelain art to form a unique decorative art effect. Affected by religious culture and Confucianism and other effects, ceramic kiln Changsha decoration also