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中国小说与通俗性有着密切的关系。新文学运动以来 ,对通俗小说 ,不同的作家有着各自不同的主张。张恨水和赵树理立足于通俗小说创作 ,并且引发了轰动的小说阅读场面。他们对通俗小说的接受层面的关注是不同的 :张恨水看到了习惯中国传统文学审美习惯的市民阶层 ,赵树理则注意到了只能从封建旧文艺中得到娱乐的农民大众的欣赏习惯 ;张恨水对于旧的章回小说采取的是改良的态度 ,赵树理强调了中国民间形式的利用 ,但同时他也认为要把新文学的内容传递给农村的大众。本文试图通过对两者创作道路和理论的比较 ,从而对两种不同的通俗文学选择进行初步探究。
Chinese fiction has close relationship with popularity. Since the New Literature Movement, different writers have different opinions on popular fiction. Zhang Henshui and Zhao Shuli based on the creation of popular novels, and triggered a sensational novel reading scene. They are different from the receptive aspects of popular novels: Zhang Henshui saw the citizen class accustomed to the aesthetic habits of traditional Chinese literature, while Zhao Shu Li noticed the appreciation habit of peasants who could only enjoy entertainment from feudal old literature and art; Zhang Hui’s novel adopts a modified attitude. Zhao Shuli emphasized the use of Chinese folk forms, but at the same time, he also believes that the content of new literature should be passed on to the general public in rural areas. This article tries to make a preliminary inquiry into the two different popular literary choices through the comparison of the two approaches and the theory.