前言如果说,古希腊哲学家柏拉图的理想国,是一整套“蒙昧之人”果断摆脱洞穴而成为“受教化之人”的心灵启迪境地,那么当代泰国电影导演与视觉艺术家阿彼察邦·韦拉斯哈古操演的则正好相反,是一整套人类如何自愿重返洞穴,或者停留于洞口游移,目光望向他处而非太阳的知觉过程,但这并不意味着人再次 Preface If we say that the ideal country of Plato, the ancient Greek philosopher, is a spiritual enlightenment where a group of “ignorant people” decisively emerge from the cave and become “educated people”, contemporary Thai film directors and visual artists On the other hand, the performance of ancient times in Perpun Velasjha is the whole set of humankind’s voluntary return to the cave, or to stop at the entrance of the cave and to look upon him instead of the sun, but this does not mean that man once again