地域或许就是一个审美范畴——这是我早数年读钱钟书先生《旧文四篇》时,所获得的一知半解。在撰述中国诗与画的衍流时,钱钟书先生曾引《隋书.儒林传》说:“大抵南人约简,得其英华;北学深芜,穷其枝叶。” 南与北的区别,是无需置疑的了。地域的专称引申而为某种风格、属性的通称,也业已约定俗成。不过,指出这种区别,这里却并无抑扬褒贬之意。南方的荔枝 The area may be an aesthetically pleasing category - a poor understanding of what I learned when I read Qian Zhongshu’s “Old Verses Four” in my early years. When writing about the flow of Chinese poetry and painting, Qian quoted the book Sui Shu Rulin Biography as saying: There is no doubt about the difference with North. Territorial extension of a specific style, the generic term of property, but also has been agreed. However, pointing out this difference, there is no such thing as suppressing or criticizing. South litchi