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随着儒学在汉代以及道家在魏晋时期被普遍接受,两派思想对中国古代社会的审美观发生了深刻的影响。工笔画是当时的主要绘画方式,体现了那段时期的美学观点。这篇文章考察了儒学和道家对工笔的美学影响,描写了两种主要的早期风格趋向:工笔性和写意性。工笔性试图包含世界万物,与儒家原则相呼应。而写意性寻求表达事物的未分化的本质,遵循道家思想。本文介绍了一个描述这两种趋向与人类意识状态关系的现代形而上学模型。
As Confucianism was universally accepted during the Han and Taoism periods in the Wei and Jin Dynasties, the two schools of thought had a profound impact on the aesthetic outlook of ancient Chinese society. Meticulous painting was the main method of painting at that time, reflecting the aesthetic point of view during that period. This essay examines the aesthetics implications of Confucianism and Taoism on meticulous writing, and describes two main styles of early style: penmanship and freehand writing. Meticulous attempts to include all things in the world, and echoes the Confucian principles. The freehand seek to express the undifferentiated nature of things, follow Taoism. This article presents a modern metaphysical model that describes the relationship between these two tendencies and the state of human consciousness.