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以二人转、小品以及近年来热播的东北系列电视剧为代表的东北民俗喜剧成为近年来中国文化的强势焦点之一。它不仅活跃在东北的田间炕头,而且以其特有的艺术魅力征服了都市的亿万观众。随着1990年赵本山小品在央视晚会初露头角以至此后的逐渐升温,东北民俗喜剧更成为全国老百姓的开心大餐。东北民俗喜剧在乡土与都市间的游移过程既是它在当代中国文化语境中的生存选择,也是乡土与都市之间文化交流与互补的必然要求。
Northeast folklore comedy represented by the duo and sketch, as well as the series of Northeast TV hit in recent years, has become one of the strong focuses of Chinese culture in recent years. It is not only active in the fields in the northeast of the white picket, but also its unique artistic charm conquered the city’s hundreds of millions of viewers. With the 1990 Zhao Benshan sketches at the CCTV evening debut and even gradually warming up, the Northeast folk comedy even become a happy meal for the people of the country. The process of the migration of northeast folk comedy in both rural and urban areas is not only its survival choice in the contemporary Chinese cultural context but also the inevitable requirement of cultural exchange and complementarity between native land and metropolis.