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花鸟画作为传统文人画的题材寓意与人格象征,在这个大众文化时代已失去文化现实生存的价值。寒梅、清荷、翠竹、松柏,在这个时代很少具有固定的文化内涵和人格象征,更多的是个性化的视觉形式创造。也就是说,传统花鸟画的现代转化,一方面消解了由固定文化内涵所锁定的题材范围,使一切自然的花都可以入画;另一方面艺术创造的个性不是通过人格寓意的个性精神和境界去体现,而是通过个性化视觉形式去呈现。 李辉的花鸟画探索,无疑体现了传统花鸟画的现代转换,体现了现代人视觉方式对于传
As the symbolic meaning and personality symbol of traditional literati painting, flower and bird painting has lost the value of cultural reality in this mass culture era. Han Mei, Qing Dutch, Tsui Chuk, pine and cypress, in this era seldom have a fixed cultural connotation and personality symbol, more is the creation of personalized visual forms. In other words, the modern transformation of the traditional bird and flower painting, on the one hand, eliminates the scope of the theme fixed by the fixed cultural connotation so that all the natural flowers can be drawn into the painting; on the other hand, the individuality created by art is not through the personality spirit and realm To reflect, but through personalized visual form to show. The exploration of flowers and birds paintings by Li Hui undoubtedly reflects the modern transformation of traditional flower-and-bird paintings, reflecting the modern visual methods