论文部分内容阅读
一部完整的戏曲音乐与其他类型大型音乐一样,必须要经过选材、编腔、创作、排练、修改、配器、最后合成等几个重要环节。配器的处理妥当与否,直接影响到整台戏的戏剧效果和剧情的色彩变化及剧种风格等。 当今,各个门类的艺术都在思索如何生存、发展乃至创新,戏曲也不例外,在创新方面更是有着自己的思考和探索。而戏曲音乐作为戏曲的重要组成部分,也在继承传统和改革创新的平衡木上小心翼翼地往前爬行。既要继承传统,又必须改革,这些问题的焦点常常让作曲家感到矛盾和困惑,特别是曲调的写作。这里,暂就戏曲音乐配器的问题做一些简单的阐述和分析来与大家一同探讨。
A complete opera music, like other types of large-scale music, must go through several important steps such as material selection, braiding, creation, rehearsal, modification, device matching and final composition. Equipments handled properly or not, a direct impact on the drama of the whole drama and the story of the color change and genre style. Today, all kinds of art are thinking about how to survive, develop and even make innovations. Drama is no exception. In terms of innovation, it has its own thinking and exploration. The opera music as an important part of drama, but also inherit the tradition and reform and innovation on the balance beam carefully crawling forward. It is necessary to inherit the tradition, but also must be reform, the focus of these issues often make the composer feel contradictory and confusing, especially tacit writing. Here, temporarily on the opera music adapter to do some simple exposition and analysis to discuss with everyone.