自从把画廓从繁华的南京东路搬到现在稍显偏远的吴中路之后,海上山艺术中心很少出现如此热闹的场面。事实上,不只是海上山,在整个上海,像这样大型前卫的非官方艺术活动也很少出现。 活动的名字叫“旋转360°——中国方案艺术展”,这是中国当代艺术文献展的第六届,前五届分别在北京、广州、成都等城市举行。 80多位来自全国各地的前卫艺术家的作品参与了这次展览,其中大部分都不是上海本地艺术家。参展作品大部分是装置、行为、录像和图片。现场除了展出方案作品外,40余位艺术家或带着自己实施后的作品图片或现场制作了自己的作品。 金锋的《我的形象消失过程》,是用一组16幅照片记录的个行为过程、金锋把蜡烛的烛油滴落在自己脸上,直至整个面部全都被烛油覆盖。这个行为的过程历时两个多小时,用了15支蜡烛。 一个名为《童谣》的录像作品,两个投影仪分别把画面投射在直角的两面墙上,一个是一个小孩的身体,各个部位不 Since the move from the bustling Nanjing East Road to the now slightly remote Wuzhong Road, the Sea Mountain Art Center rarely seen such a lively scene. In fact, it is not just Sea Mountain. In Shanghai, unofficial arts activities like this avant-garde are seldom seen. The name of the event is “Rotating 360 ° - China Program Art Exhibition”, which is the sixth session of the Chinese contemporary art documentary exhibition. The first five sessions were held in cities such as Beijing, Guangzhou and Chengdu respectively. More than 80 works by avant-garde artists from all over the country participated in the exhibition, most of which are not local artists in Shanghai. Most of the participating works are installations, behaviors, videos and pictures. In addition to displaying the program works, more than 40 artists or their own works have been produced with pictures or works of their own after implementation. Jin Feng’s “My Image Disappearing Process” is a process of recording a group of 16 photos. Jin Feng drops candle candles onto his face until the entire face is covered with candle oil. The process of this activity lasted more than two hours, spent 15 candles. A video called “Nursery Rhymes”, two projectors project the picture onto two right-angled walls, one for a child’s body, each part not