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在时间的维度上,新世纪已经跨越了第一个十年,20世纪似乎已经成为人们的一种记忆。但新世纪中国社会文化仍旧没有与20世纪完全断裂和脱离,仍然与20世纪保持着暧昧的关联,20世纪所出现的某些文化现象、文化事件和文化思潮依旧在新世纪不断的重复、拓展和延伸。同时,新世纪中国社会文化又在这种新旧交杂、模糊易变、繁复纷扰的文化乱象中,寻找不同于20世纪的文化精神和文化个性,以此来确立一种新的文化特质和文化样态。而《百家讲坛》正是这种新世纪中国社会文化存在状态的表征,在某种程度上,《百家讲坛》已经成为新世纪第一个十年中国社会的一个文化“场域”和文化隐喻,在其作为在新世纪文化乱象中兴起的文化现象背后,隐藏了新世纪中国社会的文化面相和真相,以及各种文化力量的博弈和角逐,同时也成为新世纪中国当代文化症候的集合体。所以,我们不能单向度的将《百家讲坛》作为一个单纯的电视文本进行分析和解读,而是要将其作为一个文化空间,在新世纪中国社会的具体历史语境中还原它的本真面相,客观的呈现出其内部纷繁复杂的文化纠葛,勾连出与其相关的新世纪中国社会新的文化发展模式的兴起、个体的精神走向、传统知识分子的生存危机和文化传播路径的转型等内容。
In the dimension of time, the new century has crossed the first decade and the 20th century seems to have become a memory of people. However, in the new century, China’s social culture still has not completely broken away from the 20th century and still has ambiguous relations with the 20th century. Some cultural phenomena, cultural events and cultural trends that have emerged in the 20th century are still repeating and expanding in the new century And extend. In the meantime, in the new century, Chinese social culture searches for cultural spirits and cultural identities different from those in the 20th century in order to establish a new cultural identity and cultural identity in this confusing new and old culture. Cultural patterns. The “100 forums” represent the status of Chinese social culture in this new century. To some extent, “one hundred forums” have become a cultural “field” of Chinese society in the first decade of the new century. “And cultural metaphors behind the cultural phenomenon that emerged as a cultural chaos in the new century hide the cultural face and truth of the Chinese society in the new century as well as the game and competition of various cultural forces and at the same time, Cultural syndrome collection. Therefore, we can not analyze and interpret ”one hundred forums" as a pure television text in a single direction. Instead, we should regard it as a cultural space and restore its original value in the specific historical context of Chinese society in the new century The truth is that it objectively presents complicated internal cultural disputes, linking up the rise of the new cultural development model of Chinese society in the new century, the individual spiritual trend, the survival crisis of traditional intellectuals and the transformation of cultural transmission routes content.