电影要讲究意境美。所谓意境,质言之就是意蕴与境象的统一。境象要鲜明而富有启示力;意蕴则要求可供思索、玩味。故事片《姐姐》写的是长征路上一个死里逃生的受伤的女红军,一个同样是死里逃生的红军小号兵,还有一个裕固族的小姑娘这三个人的故事。这里既没有曲折惊险的故事情节,更没有桃红柳绿的绮丽风光。但是,我们却从敌我双方力量的悬殊对比中,人与自然环境的顽强拼搏里,感受到红军战士不屈不挠的斗志和强大的生命力。影片的这一总体构思就很有意境,发人联想。在具体的镜头画面中,导演吴贻弓同志善于赋普通的景物以意境美。大漠落日,红霞满天,这景象是无比壮丽的,凝视着渐渐西沉的落日,三双眸子透出无限的神往,红军女战士不由得喃喃自语:‘明天还会升起来的。’这是一幅画,一首诗。这一镜头具有‘言外之味,弦外之响’,在有余不尽之间,留广阔的联想空间给 Film should pay attention to the beauty of artistic conception. The so-called mood, the quality of words is the unity of meaning and environment. The situation should be vivid and full of enlightenment; meaning is required for thought, pondering. The story film “Sister” is written on the long march on the death of a wounded female Red Army survived, also a surviving Red Army trombone, there is a Yugur girl’s story of these three individuals. There is neither twists and turns of the story, nor the beautiful scenery of pink and willow green. However, we feel the indomitable fighting spirit and strong vitality of the Red Army fighters from the disparity between the strengths of both sides of the enemy and ourselves, and the strenuous struggle between man and the natural environment. The overall concept of the film is very artistic, associate. In the concrete footage, Comrade Wu Yi Gong is good at assigning ordinary scenery to artistic conception. The desert sunset, Hongxia sky, this scene is extremely magnificent, staring at the setting sun gradually, three pairs of eyes reveals infinite fascination, the Red Army female warrior could not help but muttered: ’will rise tomorrow. This is a picture, a poem. This lens has the taste of words, strings outside the ring, in between, leaving a vast space for Lenovo