一、问题的提起在当前的戏曲改革中,为了突破传统的局限,赋于戏曲时代的特色,人们广开思路,积极探索,提出各种各样的主张和设想。这种精神是值得赞扬的。但是,有些人似乎忘记了戏曲这个改革的前提,忘记了戏曲周围还有许许多多其它艺术品种的存在。他们不顾戏曲的基本特征,去追求艺术的“自由”;他们不是着眼于戏曲自身的改造,而似乎旨在创造新的艺术品种。比如对戏曲音乐的改革,有些人提出“自由体”、“专曲专用”、“地方歌剧”、“X歌剧”等主张。对此,不 First, the problem raised In the current drama reform, in order to break the traditional limitations, endowed with the characteristics of the opera era, people open up new ideas, and actively explore, put forward a variety of ideas and ideas. This spirit is commendable. However, some people seem to have forgotten the premise of this reform of opera and have forgotten that there are many other varieties of art around the opera. They seek the “freedom” of the arts regardless of the basic characteristics of the opera. Instead of focusing on the transformation of the opera itself, they seem to aim to create new varieties of art. For example, the reform of opera music, some people put forward the “freedom”, “special song”, “local opera”, “X Opera” and other ideas. Right, no