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长春评剧院的青年演员李娟娟,可以说是近年来我省戏曲舞台上冉冉升起的又一颗颗为耀眼的新星,她的评剧表演是多姿多彩的,充分显示了她在艺术上广收博采、兼容并蓄的特色。李娟娟是幸运的,在她的艺术发展道路上得到了众多名师的指点与传授。少年从艺开始,为她开坯子的老师是“白派”名家筱玉凤的弟子哈志荣,以后又根据自己的条件与爱好,私淑了东北评剧名家韩少云和花淑兰,所以能演唱“白派”《秦香莲》、韩少云的《小女婿》和花淑兰的《黛诺》等不同艺术流派的代表剧目。当1987年考入长春评剧院不久,就被我省著名评剧表演艺术家王曼苓看中,正式收为弟子,并向她亲授了拿手名剧《凤
Li Juanjuan, a young actor from the Changchun Theater, can be said to be another rising star in the drama stage of our province in recent years. Her performance in the Pingju theater is colorful and shows her broad acceptance in art. Aboriginal, inclusive features. Li Juanjuan is fortunate and has been instructed and taught by many famous teachers on the path of her artistic development. Junior from the beginning of art, for her Pizi teacher is “white school” famous Xiaoyu Feng disciples Hashi Zhirong, and later according to their own conditions and hobbies, private Shu Northeast playwright Han Shaoyun and Hua Shulan, so to sing “white Send ”“ Qin Xianglian ”, Han Shaoyun’s“ little son-in-law ”and Shu Shulan’s“ De Nuo ”and other different art schools on behalf of the repertoire. When he was admitted to Changchun Theater in 1987, he was well received by Wang Manling, a famous Pingju opera artist in our province, formally accepted as a disciple,