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26年前,以民族精神为主题表征的《丝绸之路》作为早期电视纪实语言的一种有益尝试,给当时的电视工作者在创作观念上带来了强有力的冲击。26年后的重拍,让我们从《新丝绸之路》中更多地解读出创作观念上的一些变化。而选择《新丝绸之路》作为研究样本的另一个原因是除了时间上的前后纵向比较,在空间上,两次拍摄均采用中日合作的形式,使我们对其中中外纪录片创作观念上的差异也有了一个明确的了解。一、电视纪录片的叙述空间 1979年版《丝绸之路》于1980年5月1日起播出,共15集,总长度为725分钟,但各集长度不一,播出时间不确定,每集播出的间隔时间将近一个月,所以完全不成系列。
Twenty-six years ago, the Silk Road, featuring the theme of national spirit, as a useful attempt in early television documentary language brought a powerful impact on the contemporary television industry. After 26 years of remake, let us more from the “New Silk Road” to interpret more of the creative concept of some changes. Another reason for choosing “New Silk Road” as a sample of the study is that in addition to the vertical comparison in time, the two films taken in space are in the form of Sino-Japanese cooperation, which gives us a conceptual difference in the documentary creation between China and other countries There is also a clear understanding. I. Narrative Space of TV Documentary The 1979 edition of the Silk Road was broadcast on May 1, 1980 with a total of 15 episodes with a total length of 725 minutes. However, the length of each episode varies and the broadcast time is uncertain. Each episode The broadcast interval of nearly a month, so completely not a series.