《多宝塔碑》款署颜公,而字体与书诸碑俱不类,王元美云:“不无佐史之恨”。盖疑其为吏人代笔也。吾见中唐人写经,卷外题籤。笔力厚重,间隔紧密,每神肖此碑,知此必当时经生所书耳。唐人撰碑书碑,以官增重,后世铭旌之信手写某达官拜题,实滥觞于此。抑有进者,唐世初以官重,后世则以书家名大重,再后则以墨拓时早及碑毁佚重,而书之美恶,几于无关痛痒焉。又吾观唐世经生楷书手之字迹,笔墨流动,结构精严,常出碑上名家法度之外, “Multi-pagoda monument” section Yan Gong, and fonts and books are all types of monument, Wang Yuan-mei cloud: “no history without hatred ”. Guess suspicion of the official ghostwriting also. I see in the Tang scriptures, volumes outside the subject sign. Heavy stroke, closely spaced, each of God Xiao monument, know this will be the ear of the students. Tang people monument tablet monument, to increase the official, the letter of the future Ming Jingjing handwriting an official question, the real source in this. Supposedly entered the early Tang Dynasty with official weight, future generations book name heavy weight, and then to Mo Tuo early and destroyed the monument weight, and the beauty of the book, a few have nothing to do it Yan. Another view of the Tang scriptures Shizheng handwriting, pen and ink flow, the structure of strict, often on the monument outside the famous method,