现代类型学既强调归类的必要性,也指出任何整一归类的局限。任何一个单一的文学类型既放大了作品的意义,也遮蔽了作品更为原本的内涵。一个人的写作会涉及方方面面,一个单一的文学类型往往并不能概括一位作家的丰富性,也不能解释一部作品所具有的复杂性。因此,一位作家或一件文学作品可以划入不同的文学类型。比如郑小琼,无论是80后诗人的概念,底层或打工诗人的概念,抑或女性诗人的概念,还是先锋诗人的概念, Modern typology emphasizes both the necessity of categorization and the limitation of any one categorization. Any single type of literature not only amplifies the meaning of the work, but also covers the more original connotation of the work. A person’s writing involves all aspects of a single literary genre often does not summarize the richness of a writer, can not explain the complexity of a work. Therefore, a writer or a literary work can be divided into different types of literature. For example, Zheng Xiaoqiong, whether it is the concept of the poet after 80, the concept of the bottom or working poet, or the concept of a female poet, or the concept of avant-garde poet,