素描问题由来已久,无论是西方艺术史中安格尔与德拉克洛瓦的素描与色彩孰轻孰重之争,还是素描在中国近代传播过程中曾发生的要不要模特、学中国画要不要画素描等问题,都曾引起广泛的争论。尤其对于研究中国近现代美术史的学者,素描问题更是绕不开。在当代艺术中,架上绘画日趋衰微,更不用说作为造型基础的素描了,在这种时代背景下,中央美术学院美术馆举办大型的素描专题展览,不仅具有学术上的探讨意义, The sketch has a long history. Whether it is the debate between the sketch and the color of the Angles and Delacroix in the Western art history, or whether the sketches have occurred during the modern Chinese communication or not, Sketches and other issues, have caused widespread controversy. Especially for the scholars who study the history of Chinese modern art, the sketch problem is even more inseparable. In contemporary art, the painting on the shelf is gradually declining, not to mention the sketch as the basis of the style. Under such a time background, the large-scale exhibition of sketch sketches held by the Central Academy of Fine Arts Museum not only has the academic exploration significance,