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岭南是中国艺术史上极其重要的地域,涌现出了许多杰出的书画篆刻家和理论家。目前所见岭南地区的玺印出土见于秦印和瓦当上的印迹。明清时期岭南地区的印学依附于金石学开始逐渐成长,广东士人研讨金石成风,篆刻空前繁盛,印人也开始见于谱录。皖清之际,皖籍篆刻大师黄牧甫南来广州,生活了十八年之久,给岭南印坛注入了新鲜营养,影响至深且巨,以至形成了在印学史上颇为壮观的“黟山派”。民国时期,篆刻大家辈出,如蔡守、易孺、李茗柯、谈月色、邓
Lingnan is an extremely important area in the history of Chinese art, and many outstanding paintings and calligraphy and seal carvers and theorists have emerged. At present, we can see that the seal printed in the South of the Five Ridges in Qin and Wadang was printed on it. In Ming and Qing Dynasties, the printing and studying in Lingnan area began to grow and grew up. The scholars from Guangdong studied stone making and the seal engraving unprecedentedly prosperous. Anhui Qing Dynasty, Wan Ji seal master Huang Mufu came to Guangzhou, lived for eighteen years, to the Lingnan Indian altar into the fresh nutrition, affecting the deep and gigantic, and even formed in the Indian history is quite spectacular 黟 mountain school ". During the Republic of China, carving everyone came forth, such as Cai Shou, Yi Shu, Li Ming Ke, talk about moonlight, Deng