新疆,占祖国面积六分之一的广大地域,在国人心目中,无非是辽阔、荒凉、雄浑,带着诱人的神秘和火热的浪漫。然而,细思之,这种种感觉与传唱久远的牧歌、情歌以及民间传说,恐不无关系,它们无形中起了“造势”作用。作为新疆文化的建构,我们也许渴望有更多的与这片伟大土地相称的,反映时代风流和历史变革的精彩新篇章出现。我以为,最近出版的,由丰收所著的大型报告文学《王震和我们》,在表现这片土地的世事沧桑方面,特别在表现最具特色的“扎根天山,屯垦戍边”这一 Xinjiang, which occupies one sixth of the area of ​​the motherland, is vast, desolate and vigorous in the minds of the people of the country, with attractive mysteries and fiery romances. However, this kind of feeling is not unrelated to singing pastoral songs, love songs and folk tales. They virtually play a role of “making momentum”. As the construction of Xinjiang culture, we may long for more brilliant new chapters that reflect this great land and reflect the current of the times and historical changes. I think the recently published large-scale reportage “Wang Zhen and Us,” by the bumper harvests, is particularly influential in representing the vicissitudes of this land, especially in displaying the most distinctive features of “rooting the Tianshan Mountains, setting up garrison areas”