回顾我国家具的发展史,在我国不同的时期每个的家具都有着不同的风格,而且在每个时期随着自己文化的发展,都有自己具有代表性的家具雕刻工艺。随着社会的发展,不同地区之间经济文化越来越频繁的交流,那么对于家具的设计界限就越来越模糊,不同的文化就会相互的交流融合,随着社会及文化的进步,人们思想也日益更加新奇,对于家具的设计风格也日益多样化。但是在我国的传统的家具雕刻中,最为人们所关注的就是龙凤纹了,本论文主要探究的就是龙凤纹在明清家具雕刻中的应用。 Recalling the history of the development of furniture in our country at different times each of the furniture has a different style, but in each period with their own cultural development, have their own representative furniture carving process. With the development of society and economic and cultural exchanges between regions more and more frequently, the design boundaries of furniture become increasingly blurred, different cultures will exchange and blend with each other. As social and cultural progress, people Ideas are also increasingly more novel, for the design of furniture is also increasingly diverse. However, in our country’s traditional furniture carving, most people are concerned about is the dragon and phoenix pattern, the main thesis of this paper is the dragon and phoenix pattern in the Ming and Qing furniture carving application.