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栗宪庭,艺术批评家、艺术理论家,百度上有关他的搜索结果超过十万个,百科名片中是大篇幅的关于他的个人简介。大事年表等等。从20世纪70年代末以来的三十多年中,他从文化战略的角度把握着中国当代艺术的新变化,开创性地策划了诸多重量级的代表着重要艺术潮流和走向的中国当代艺术展览,对中国现代艺术运动的发生和发展产生了巨大而深远的影响。他是中国当代艺术的一面旗帜、一个坐标,被公认为中国当代艺术的“教父”、最大的“腕”。2012年6月21日,西安初夏明媚的午后,曲江一处古雅的院落,水声鸟鸣中,在挂满嫣红梅李的果树下,栗宪庭侃侃而谈,态度是那样率真、谦和,话题围绕中国当代艺术,又超越中国当代艺术本身……
Li Xianting, art critic, art theorist, Baidu search results on him more than one hundred thousand, encyclopedic business card is a large space about his profile. Chronology of events and more. In the thirty years since the late 1970s, he has taken the new changes in contemporary Chinese art from the perspective of cultural strategy and pioneered the planning of many heavyweight contemporary Chinese art exhibitions that represent major trends and trends in art Has had a huge and far-reaching impact on the occurrence and development of the Chinese modern art movement. He is a banner of China’s contemporary art, a coordinate, is recognized as China’s contemporary art “Godfather ”, the largest “wrist ”. On June 21, 2012, in the bright afternoon of the early summer of Xi’an, a quaint court in Qujiang, a sound of birds and birds, covered with fragrant red plum fruit trees, talked about with ease and attitude. Around the Chinese contemporary art, but also beyond the Chinese contemporary art itself ...