在《遗物》中者又回到鲜明的社会性主题,或者说是社会性与八性交融的王题。它基本止是一出独角戏,只短时插汉了第二八物。小说着主人公的为心独白旦线地展现了剧青、人物性格和冲突。剧中仪物:一个满脑子阶级扁见、沾活自喜的庸谷政客,以及他妻子的女秘书。时间:一代中的数小时。地点:一间客厅。道具:一枚胸针,一排日记。剧清一枚胸针展开一妻子的碎掀一她给留下的日记一也的性格(或者说他心目中她的性格)失妻关系日;己中神化人物约出现和逐卡发展……与《夫人和珠宝商》相似,叙述也随着主人公意识的流动前后跳跃,前台的时司仅数小时,而背景的时问却跨越许多年〔王人公意识忽前忽后地流动,最终将情推回高潮一女秘书的渴示。在池视为汾属品的妻子的戈实果敢的火林对照下,现出了小丑的原形。这篇小说,充分体现了吴尔夫关干人约价值观和前两篇相仿,里世大量使月了不加引号的对白,以及独白、旁白,和作者的叙述混杂在一起,这也是吴尔夫叙述技巧的特色之一。当然,还摘其他一些技法,读者自会发现,不用在此赞畜 In the “relics” in the back to the distinctive social theme, or that the social and sexual integration of the eight questions. It is basically a one-man show, only a short time inserted Han twenty-eighth thing. The heroine’s fictional white line shows the dramatic youth, character and conflict. Drama objects: a mind-bosom, a complacent Yonggu politician, and his wife’s secretary. Time: a few hours in a generation Location: A living room. Props: a brooch, a row of diaries. A clear brooch broaped his wife’s broken lift a left her diary one also character (or in her mind her character) lost date of marriage; deified figure about to appear by card and ... ... and Similar to the “lady and jeweler,” the narrative jumps forward and backward along with the movement of the protagonist. The receptionist’s hour is only hours, while the background time lags many years. Back to the climax of a female secretary’s thirst. In the pond is considered Fen’s wife Ge Ge brave fire control, showing the prototype of the clown. This novel fully shows that the Wuerfu Guan’s values ​​and the first two are similar, and numerous world annals of the moon without quotes, as well as monologue, narration and narration of the author, which is Wu Erfu narrative skills One of the characteristics. Of course, also pick some other techniques, the reader will find that you do not have to praise animals here