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原本,“写意”和“水墨”都是传统的中国画话语系统中的概念,并不适合用在原属舶来品的油画上。所以,当我们在杜仲油画里看到诸如《山村写意》和《水墨山村》这样的画题,而且明显感觉到可以称之为“写意油画”这样的风格时,总是不免有所驻足和打量,总是不免加以关注和思考,总是不免要去探究和评说杜仲的这种创作个性追求。自从油画东渐以来,中国的几代油画家们一直没有停止过开拓油画民族化道路的坚定步伐。
Originally, “Freehand ” and “Ink ” are concepts in the traditional system of Chinese painting utterances and are not suitable for use on the original paintings of imported goods. Therefore, when we see paintings such as “Freehand Village” and “Ink and Wash Village” in the Eucommia oil painting, and we clearly feel that we can call it “freehand oil painting”, we can not help but stop there And looked at, always inevitably be concerned about and thinking, always inevitable to explore and comment on the pursuit of this creation of personality Eucommia. Since the eastward movement of oil paintings, several generations of Chinese oil painters have not stopped their firm efforts to exploit the nationalization of oil painting.