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1986年,吴宇森在徐克的帮助下拍摄了《英雄本色》,影片不仅是香港电影的一座丰碑,也是吴宇森的人生转折点。1993年,吴宇森导演的《终极标靶》让他一脚踏进好莱坞,之后的《断箭》《变脸》让吴宇森的事业达到了另一个高峰。2006年,吴宇森回到北京筹备《赤壁》……从香港到好莱坞再到北京,吴宇森的脚步铿锵有力,每一步都留下了深深的痕迹。《英雄本色》打破香港票房纪录、开创香港电影新类型;《变脸》位列1997年美国年度票房第十名;《赤壁》创下亚洲投资最大、打破亚洲多国票房纪录,是什么让他的每一步脚印这样有力?吴宇森说,他拍的不只是一部电影,还“是一种情绪,这种情绪可能是一个很深沉的,可能是一个很唯美的,可能是一个很潇洒的。”这让我想起一位优雅的法国女人也曾用过这个词,她在回答巴黎和法国为什么是无法仿制时说:“因为我们的情绪都在细节里面,”那埋藏在一砖一瓦中的情绪,正是巴黎的神秘,也是它不可仿制的秘密。而吴宇森埋藏在教堂、白鸽、子弹中的情绪,正是他电影的神秘,也是一种不可仿制的秘密。
In 1986, John Woo shot with the help of Tsui Hark’s “true character”, the film is not only a monument of Hongkong movie, but also John Woo’s turning point in life. In 1993, John Woo’s director, “Ultimate Target,” let him step into Hollywood, then “Broken Arrow,” “Faceless” to John Woo’s career reached another peak. In 2006, John Woo returned to Beijing to prepare for the “Red Cliff” ... From Hong Kong to Hollywood and then to Beijing, John Woo’s sonorous and forceful, every step has left a deep mark. “The True Essence of Heroes” Breaks Box Office Records in Hong Kong and Creates New Types of Hong Kong Films; “Changing Faces” Ranks 10th in US Annual Box Office in 1997; “Red Cliffs” Creates Asia’s Most Investment-Breaking Multi-Country Box Office Records in Asia Footprints so powerful? John Woo said he did not take a film, but also “a emotion, which may be a very deep, may be a very beautiful, may be a very chic.” It reminds me of an elegant French woman who had used the word. When she replied to why Paris and France were unable to imitate, she said: “Because our emotions are all in detail,” she said, buried in a brick Emotions, it is the mystery of Paris, but also its non-imitation of the secret. And John Woo buried in the church, pigeons, bullets in the mood, it is the mystery of his movie, but also a non-imitable secret.