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马克思艺术生产论是马克思主义美学的重要组成部分,艺术生产的思想精华在他的各大专著中均有体现。早期资本主义时代的马克思认为:在生产和消费的媒介运动中,生产是主体,消费只是生产的一个“内在要素”。西方马克思主义学者也对马克思的理论进行了继承和完善。后来,出身在后工业社会的鲍德里亚以“消费理论”对此进行批判,用符号编码的方式对现在消费代替生产成为主体的地位进行解读。在中国也向消费型社会转型的时期,原本将马克思主义生产论视为理论根基的中国学者,也开始了观点不一的热烈讨论。
Marxist theory of art production is an important part of Marxist aesthetics. The essence of art production is reflected in all his major books. In the early capitalist era, Marx believed that in the media movement of production and consumption, production is the main body and consumption is only an “intrinsic factor ” of production. Western Marxist scholars have also inherited and improved Marx’s theory. Later, Baudrillard, born in a post-industrial society, criticized this with the theory of consumption and used symbolic encoding to interpret the current status of consumption as a substitute for production. During the transitional period of China to a consumer-oriented society, Chinese scholars who originally regarded Marxist theory of production as their theoretical foundations also started heated discussions with different perspectives.