提起法国的罗丹,相信大部分人一定耳熟能详,对于罗丹,对于他在艺术史上的成就一定再熟悉不过。但是每次提及罗丹之时,首先联想到的还是他在雕塑上的成就,片面的以为他仅是以雕塑著称存在于世人之中。直到读了《罗丹艺术论》,才发现曾经对于这位法国艺术家的了解如此浅薄,他对于艺术史乃至后人的影响不仅仅局限于他优秀的雕塑,更重要的是他思考问题的方法,对于艺术与美的追求以及哲学家的思维看待问题。《罗丹艺术论》是罗丹晚年杰出之作,其中既包 Mentioning France’s Rodin, I believe most people will be familiar with, for Rodin, for his achievements in art history must be familiar. But every time Rodin is mentioned, the first thing that comes to mind is his achievements in sculptures, one-sided thinking that he is only known as a sculpture in the world. It was not until I read “Rodin’s Theory of Art” that I had found the understanding of the French artist so superficial. His influence on the history of art and even his descendants was not limited to his excellent sculptures. More importantly, he was thinking about the problem, The pursuit of art and beauty as well as the philosophical thinking of the problem. “Rodin Art Theory” is an outstanding work of Rodin in his later years, of which both