自《塔铺》这部小说问世以后,刘震云开始步入文坛。随后,《新兵连》《手机》《一地鸡毛》《单位》等一系列中篇小说的发表,更加确立了刘震云在现代文坛的重要地位,成为“新写实”派小说的主要代表作家。刘震云对人物命运的起伏跌宕的冷静观望,对社会中复杂人际关系的细微洞察,尤其是独特的语言应用特色,都成为其小说创作的文学魅力与艺术价值所在。本文尝试从独特的“拧巴”、朴实的“口语”、幽默的“话语”三个方面对刘震云小说的语言特色进行探究。 Since the advent of “Pagoda” novel, Liu Zhenyun began to enter the literary world. Subsequently, the publication of a series of novella, such as “recruits,” “mobile phones,” “a feather,” “unit” and more, established Liu Zhenyun’s important position in the modern literary world and became the main representative writer of the novelist . Liu Zhenyun’s ups and downs on the fate of people’s cool ups and downs, the subtle insight into the complex interpersonal relationships in society, especially the unique language features have become the novel’s literary charm and artistic value. This article attempts to explore the linguistic features of Liu Zhenyun’s novels from the three aspects of uniqueness, simplicity, orality, humor and discourse.