充满洋味的感觉、内化的东方主义和“文化模仿者的角色”——这是俄罗斯艺评家安德鲁·申达尔最近在对路易丝·布尔乔亚的访谈中观察到的特点。后者最近在莫斯科车库当代艺术博物馆举行了展览,而这个展览曾在2015年早些时候,在慕尼黑的美术馆“艺术之家”举办过。申达尔感叹当前从西方引进展览的趋势,“如同‘现成品’一样,忽视了对当地环境的考量。”~1在一个新自由主义时代的普遍现象里,这种潮流伴随着俄罗斯的经济、政治和文化现状:在俄罗斯,私人美术馆被认为是全球文 The feeling of foreign flavor, internalized Orientalism and “the role of cultural imitator” - were the features recently observed by Russian art critic Andrew Godal in his interviews with Louise Bourgeois. The latter recently held an exhibition at the Museum of Contemporary Art in Garage, Moscow, which was held in Munich’s Art Gallery “Art House ” earlier in 2015. Shen Dahl lamented the current trend of introducing exhibitions from the West, “as in the case of” ready-mades, “ignoring considerations of the local environment.” 1 In a neoliberal era, this trend is accompanied by Russia’s Economic, Political and Cultural Status: In Russia, the private art museum is considered a global text