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读杨长槐山水画近作颇有感悟,遂列四题论之。一、峰峦起舞时隐时现长槐画山,既不像北方画家画太行山那样,刻意表现其巍峨雄壮的气势,也不像江南画家画富春山那样,着意于描绘其郁郁葱笼的秀润,他把握了贵州地区山峦的险峻奇绝的特点,更注重灵动变幻。为要表现黔地山峦的特征,长槐从两方面作了努力:一是求其动,一是使之藏。长槐画峰多于画岭。《乌蒙明镜》和《乌蒙一
Yang Chang-huai landscape painting recent sentiment quite learned, then out four questions on it. First, the peak dance is hidden when the time lakes Huai painting, not like the northern painter painting the Taihang Mountains, deliberately expressed its majestic magnificent momentum, not like Jiangnan painter Fuchun Mountain, as intended to depict its lush, , He grasped the characteristics of the steep mountains in the Guizhou area, more attention to the dynamic changes. In order to show the characteristics of mountainous areas in Guizhou, Chang Huai made efforts in two aspects: First, seek the move, the first is to make the possession. Longhuai painting peak more than painting Ridge. “Wumeng Ming mirror” and "Wumeng one