谈到歌唱音色的塑造,其实是个看似是小题却可以大做的文章。歌者寻找美妙的音色始终贯穿于声乐演唱学习的过程之中,获得美妙的音色也是所有歌唱家所追求的最高境界。音色,是音乐形态作用于人的听觉器官最为直接、最为感性的要素。相同的材质、结构的乐器,比如提琴,按照不同的规格组装成同族乐器:大提琴、中提琴、小提琴、低音提琴,它们都具有近似的基本音响—本源音色。但光有本源音色是不够的,还需要通过演奏家的运弓变化、揉弦技巧相配合以控制、美化音色,奏出多变的音色,再加上情感的融入,从而获得感人至深的音乐。好比一位歌者光“本钱”好是不行的,还需要建 When it comes to the shaping of a singing voice, it is actually an article that seems to be a trivial but can be done in a big way. Singer looking for a beautiful sound throughout the process of vocal music learning, access to wonderful sound is the highest level of pursuit of all singers. Tone is the most direct and emotional element of the auditory organ that acts on the human form of music. The same material, structure of the instrument, such as the violin, according to different specifications assembled into the same instrument: cello, violas, violins, double bass, they have similar basic audio - the source of sound. But it is not enough to have the sound of the original light, but also through the performer’s bow changes, accompanied by rubbing string skills to control, beautify the sound, play a changing tone, coupled with the integration of emotion, to get moving music . Like a song light “cost ” is not good, but also need to build