本文聚焦卡森·麦卡勒斯小说《金色眼睛的映像》中的镜像人物与镜像关系,通过分析人物性别身份在他者的映照中发生转变的动态过程,揭示他者的不可或缺性,指出不管是否存在性别等级,性别关系实质土都是一种相互映照、相互依存的自我与他者的镜像关系,由此破解小说标题题眼“映像”的內涵。 This paper focuses on the relationship between the mirror image and mirror image in the image of Golden Eyes by Carson McCullers. By analyzing the dynamic process of the change of the person’s gender identity in the mirror of the other person, this article reveals the indispensability of the other person, It is pointed out that no matter whether there is gender level or not, the real soil of gender relationship is a mirror image of the mutual reflection and interdependence of the ego and the other, thus breaking the connotation of the title of the novel.