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中国国家京剧院自1955年建院至今已走过60年的风雨历程,创立了自己的风格,形成了自己对于京剧乃至戏曲艺术独到的精神追求,这种风格与精神是由首任院长梅兰芳、总导演阿甲、导演郑亦秋、编剧翁偶虹、范钧宏、表演艺术家李少春、袁世海、叶盛兰、杜近芳等一批又一批艺术精英们通过不懈努力而创造的,是依托《野猪林》、《三岔口》、《白蛇传》、《大闹天宫》、《谢瑶环》、《杨门女将》、《红灯记》、《春草闯堂》、《蝶恋花》等许多精彩剧目彰明较著。遗憾的是,近20年来,风格几乎荡然无存,多少丧失了令人回味无
Since its founding in 1955, the Peking Opera Theater has gone through 60 years of stormy history and created its own style. It has formed its own unique pursuit of the spirit of the Beijing Opera and the opera. Lan Fang, director Atai, director Cheng Yiqiu, screenwriter Weng Hong, Fan Junhong, performing artists Li Shaochun, Yuan Shihai, Ye Shenglan, Du Jinfang and other batch of elite artists through unremitting efforts to create, is relying on “wild boar forest”, “three Jade Bridge ”,“ The White Snake ”,“ Havoc in Heaven ”,“ Xie Yaohuan ”,“ The Young Men ”,“ Red Lantern ”,“ Spring grass Chuangtang ”,“ Butterfly Love ”and many other wonderful highlights. Unfortunately, in almost 20 years, the style has almost disappeared, and how much has lost the aftertaste