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作为现代艺术的电影对当代文学的影响已经引起了文艺学家和美学家的广泛关注。电影的各种表现手段(不同的视角、蒙太奇原则、主观与客观镜头、闪回、预叙结构等)不同程度地促进了当代小说的风格和结构的演变,这是一个不应忽视的文艺现象。五十年代以来,法国“新小说派”的激进的文学理论和电影实践的结合则是这种影响的极端表现。电影—小说的重新面世就是这一创作倾向的产物。 本文(原载法国《二十世纪》丛书《文学与电影》专集,1981年)从一个重要的侧面介绍了电影与文学合流这一文艺现象,有助于了解电影对文学的影响作用,特摘译如下,供读者参考。
The influence of modern art films on contemporary literature has drawn the attention of literary artists and estheticians. The various means of expression (different perspectives, montage principle, subjective and objective lens, flashback, pre-narrative structure, etc.) have promoted the evolution of the style and structure of contemporary novels in varying degrees. This is a literary phenomenon that should not be neglected . Since the 1950s, the combination of the radical literary theory and the film practice of French “new fictionalism” has been an extreme manifestation of this influence. The reappearance of the movie - the novel is the product of this creative tendency. This article (originally from the “Twentieth Century” series entitled “Literature and Film” in France in 1981) introduces the literary and artistic phenomenon of combining film and literature from an important perspective and helps to understand the impact of film on literature. Translation is as follows, for readers reference.