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“研究科幻文学如果不从‘现代性’着手,就不能真正接触它的内核”1,吴岩此言乃是确论。在世界范围内,科幻小说存在两条发展路径,进而也形成了两个彼此密切交融但其差异性特征又极为鲜明的传统。其一是由玛丽·雪莱、赫伯特·乔治·威尔斯等人构成的正典(Canon)传统;另一个传统则栖身于商业化的大众阅读市场,它首先在儒勒·凡尔纳手中出现并迅速成熟,经由阿瑟·柯南·道尔、埃德加·赖斯·巴勒斯等人传入美国。在这两个传统当中,现代性以不
“If you do not start from the ’modernity’, you can not really touch the core of science fiction literature.” 1 Wu Yan’s remark is definite. In the world, there are two development paths for science fiction, which in turn form two traditions closely intermingled with each other and their distinctive features are extremely distinct. One is the Canon tradition, made up of Mary Shelley, Herbert George Wells, and others; the other, traditionally housed in the commercial mass reading market, begins with Jules Verne Emerged in the hands and rapidly matured, introduced to the United States by Arthur Conan Doyle, Edgar Rice Barys, and others. Among these two traditions, modernity does not