在当下,许多运用漆材料的创作者会被人定位为“漆画家”或“漆艺家”。如此一来,漆材质从材料应用到最终的表现都会倾向于平面艺术,而与立体岂术有所区别。但现实中,许多创作者在做漆画的同时也在做漆艺。从创作者的角度来看,这除了与个人的选择有关外,还关系到艺术家对漆材质所做的思考与探索。我对漆的各种材质的了解是从漆画创作开始的。在此过程中,我也了解到漆艺、漆画在传承中存在的各种新旧观念间的冲突。对漆的了解也逐渐深入。“漆是什么?它从哪里来?到哪里去?”这些最为基本的问题在我的创作中贯穿始终,也是我思考的重点。 At the moment, many creators who use paint materials are positioned as “paint painters” or “paint artists.” As a result, paint materials from the material to the final performance will tend to flat art, but with the three-dimensional technique is different. But in reality, many creators do lacquer painting while doing painting. From the creator’s point of view, this is not only related to personal choice, but also related to the artist’s thinking and exploration of the paint material. My understanding of the various materials of lacquer began with the creation of lacquer. In the process, I also learned that the lacquer art, lacquer painting in the inheritance of the various concepts of conflict between old and new. Understanding of the paint is also gradually in-depth. “Where is paint? Where does it come from? Where are you going?” "The most fundamental questions that I have run throughout my writing are also the focus of my thinking.