在书法艺术的评论中,常有人提到“古拙”、“厚拙”、“笨拙”;也有人提到某人的作品“奇巧”、“纤巧”等,评述不一,各说纷纭。那么,到底什么是拙?什么是巧?这两者之间的关系如何以及在书法艺术的具体表现在哪里,似乎有探讨的必要。一拙巧是对立统一的辩证关系,书法审美意义上的拙是大巧,唯有大巧才能若拙。关于巧拙之论,最早 In the commentary of calligraphy art, people often refer to “ancient clumsy”, “thick”, “clumsy”, and others refer to someone’s work “Kit Kat”, “Slim”, etc. Different comments, different opinions. So what exactly is a humble? What is a coincidence? The relationship between the two and how the specific performance of calligraphy art seems to be explored. A clumsy coincidence is the dialectical relationship between the unity of the aesthetic significance of the calligraphy is a dagong, only if the dignity can be Zhuo Zhuo. On the Qiaozhuo theory, the earliest