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《布朗德》剧中反复出现的光之影像值得关注。“春光”是阿格奈斯的化身,象征绿色与希望,构成一幅春天“高山雪野”的画面;“夏日阳光”与布朗德相对应,代表理想与信仰,构成一幅夏天“高山绝壁”画面;“烛光”与小渥尔夫相对应,代表世俗与磨难,构成一幅冬天“冷凝石屋”画面。布朗德是其中的核心人物,外表的冷漠、内心的温柔,所经历的矛盾与冲突,在五光十色的光之影像上,得到多样的交汇与完整的统一。同时,光之影像在四季之中不停轮换,与人物的情感、命运与理想相结合,具有深厚的审美意蕴。
The recurring images of the light in “Browne” play deserved attention. “Spring ” is the incarnation of Agnes, a symbol of green and hope, constitute a picture of the spring “Alpine Snowfield”; “Summer Sunlight ” corresponds to Brand, representing the ideal and belief, constitute A summer “mountain cliff ” picture; “Candlelight ” and the small Wolfe corresponding to represent the secular and tribulation, form a winter “condensed stone house ” picture. Brandh is one of the core figures. His outward appearance of indifference, inner gentleness, the contradictions and conflicts experienced by him have been multiplied by the colorful images of light. In the meantime, the image of light keeps changing in the four seasons, combining with the emotion, fate and ideal of the characters, with profound aesthetic implication.