王郁洋的创作实践带有很强的思辨性,在呈现方式上,他对于媒介的选取、利用和呈现效果同样带有深思熟虑的考量。从“呼吸”系列、《再造登月》到2010年的《图与字》、《说》,王郁洋在广阔的视域中无所限制地思考。于是,每每借助他的视角,我们总会有些新鲜的收获。 Wang Yuyang’s writing practice is strongly speculative. In his presentation, he also takes a well-considered consideration in the selection, utilization and presentation of media. From the “Breathing” series, “Re-creating the Moon” to “Figure and Word” and “Saying” in 2010, Wang Yuyang ponders over a vast field of vision without restriction. So, often with his perspective, we will always have some fresh gains.