无可置疑,这是一个流行“花样美男”的温情年代。少一份阳刚、少一份强悍、多一些忧柔、多一些俊美——男人,柔情似水,原来可以这样讨人喜欢。当编剧们一次又一次地在日剧里教导现代女性要更独立更果断,做为人类的另一半的男人,必然就要使出“小岛依人”的温柔一剑,在日剧里成为温柔又体贴的新好男人。 There is no doubt that this is a popular “beauty” the warmth of the times. Fewer masculine, less powerful, more casual, more handsome - man, tender, like the original can be pleasing. When the writers time and time again in the Japanese drama to teach modern women to be more independent and decisive, as the man of the other half of mankind, inevitably resorted to “small island according to person” gentle sword in the Japanese drama became gentle Thoughtful new good man.