我国民族民间音乐内容丰富,表现手法多样,在戏曲、曲艺音乐中,“腔多字少”和“字多腔少”即是两种常见的、各有特色的谱腔形式和外延宽泛的美学概念。戏曲、曲艺称念白(说)以外的人声歌唱部份为唱腔。它既是内容与形式的结合体,又是人物性格刻画、情感抒发、戏剧矛盾展开、高潮形成及整体音乐布局的重要手段。唱腔中歌词秫“字”旋律称“腔”。“腔多字少”即旋律多唱词少;指句幅(艺人称“尺寸”)宽而字位稀疏的乐句或乐段。戏曲及民歌中的“拖腔”可为其中典型体 The folk music in our country is rich in content and diversified performance styles. In the traditional opera and folk music, there are two common and unique spectrum forms and extensive aesthetics concept. Opera, folk art said Bai (say) other than the singing part of the singing voice. It is not only a combination of content and form, but also an important means of character portrayal, emotion expression, drama contradiction, climax formation and overall music layout. Singing lyrics 秫 “word” melody called “cavity.” “Multi-word cavity less” that melody less lyrics; refers to the sentence (artist called “size”) wide and sparse phrase or paragraph. The “dragging chamber” in the opera and folk songs can be a typical example